| CURRICULUM VITAE |
| Evan Antonellis, Composer |
| Contact information: |
| Evan Antonellis |
| 134 Claremont Avenue |
| Room 1407 |
| New York, NY 10027 |
| Education: |
| Doctor of Musical Arts in Classical Composition, Manhattan School of Music, New York, NY, in progress |
| MSM Full Scholarship Recipient |
| Composition Studies with Nils Vigeland |
| Master of Music in Classical Composition, summa cum laude, Manhattan School of Music, New York, NY, 2008 |
| MSM Scholarship Recipient, G.P.A.: 4.0 |
| Composition studies with Reiko Fueting |
| Piano studies with Marjean Olson |
| Analysis: |
| Nils Vigeland |
| David Volkhausen |
| Reiko Fueting |
| J. Mark Stambaugh |
| Richard Danielpour |
| Electronic Music: |
| Joel Chadabe |
| Bachelor of Music in Composition, summa cum laude, The Boston Conservatory, Boston, MA, 2006 |
| G.P.A.: 3.90 |
| Composition studies: |
| Andy Vores |
| Dalit Warshaw |
| Elena Ruehr |
| Larry Bell |
| Piano studies: |
| Dalit Warshaw |
| Larry Bell |
| Analysis: |
| Dana Brayton |
| Andy Vores |
| Dalit Warshaw |
| James Dalton |
| John Bavicchi (Berklee College of Music) |
| Larry Bell |
| Dennis Leclaire (Berklee College of Music) |
| Electronic Music: |
| Dennis Miller (Northeastern University) |
| Awards and Commissions: |
| 2008 Nicholas Flagello Award for Compositional Excellence |
| Full Scholarship Recipient, Manhattan School of Music |
| Electronic Music Foundation commission for EMF Labs Concert Series at The Flea, 2008 |
| Assistantships and teaching experience: |
| Theory Department Fellow, Manhattan School of Music |
| Courses: Ear Training, Freshman Theory, Theory Lecture |
| Teaching classes independently |
| Substitute Teaching, The Boston Conservatory |
| Courses: Music Fundamentals, Theory 1-2, Ear Training 3 |
| Substituting for Andy Vores and Dalit Warshaw |
| Tutor, The Boston Conservatory |
| Courses: Ear Training 1-4, Theory (Music Fundamentals, Theory 1-4), Form and Analysis 1-2, Graduate and Music Education Remedial Ear Training, Graduate and Music Education Remedial Theory, Keyboard Skills 1-2, Piano Class 1-2 |
| Assistant to the Composition Department, The Boston Conservatory |
| Courses assisted: Theory (Music Fundamentals, Theory 1-4), Ear Training 1-4, Form and Analysis, Advanced Form and Analysis, 20th Century Music Survey, Instrumentation, Advanced Orchestration, Music History 1-4, Piano Class 1-2 |
| Assistant to the Percussion Department, Manhattan School of Music |
| Curricula Developed: |
| Analysis of Extended and Non-Standard Musical Notation |
| Electronic Music (history and its application) |
| Analysis of Spectral Music and the music of Tristan Murail |
| Imitative Counterpoint and Fugue |
| Motivic Construction in Beethoven's Waldstein and Hammerklavier Sonatas, op. 53 and 106 |
| Survey of the work of Karlheinz Stockhausen |
| Analysis of the Atonal and Free Atonal works of Anton Webern |
| Electronic Music Technological Experience: |
| Worked as Music Technician for many concerts in the New York City area, including the Manhattan School of Music Percussion Ensemble’s production of Charles Wuorinen’s Percussion Symphony, multiple projects by the Electronic Music Foundation, and dozens of concerts at Manhattan School of Music; currently preparing for the Manhattan School of Music Percussion Ensemble’s production of Steve Reich’s Music for Mallet Instruments, Voices and Organ, Kaija Sariaaho’s Six Japanese Gardens, and Luigi Nono’s Con Luigi Dallapiccola. |
| Relevant Computer Program Skills: |
| Complete Proficiency in Finale |
| Complete Proficiency in Kyma X |
| Working Knowledge of Pro Tools LE |
| Complete Proficiency in HTML |
| Working Knowledge of JavaScript |
| Working Knowledge of CSS |
| Working Knowledge of Max/MSP |
| Non-musical Programs: |
| President and editor, The Garden, The Boston Conservatory's Arts and Literary Magazine |
| Affiliations: |
| American Music Center |
| Electronic Music Foundation |
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